Culture The Guardian — Culture · 2026-10-10T04:00:46Z · 1 min read

Remember Me review – narrow view of two photographic centuries is like a history of food in three ham sarnies

Bourse de Commerce, Paris There are 700 works from François Pinault’s collection on display – more than half of them by Irving Penn – but it’s a blinkered selection and annoyingly didactic ‘Beware … of assuming the sterile attitude of the spectator, for life is not a spectacle” scream the words of Aimé Césaire – writ large and bold by Barbara Kruger, in a giant installation, The History of Tears, that fills Bourse…

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